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This is a very interesting article by Michele Llanos for Trendland about new ideas in garment production. See more at www.studiokoya.com.
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This is a very interesting article by Michele Llanos for Trendland about new ideas in garment production. See more at www.studiokoya.com.
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These are amazing. Enough said.
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These new illustration animations for Prada remind me of my own digital cutout illustration series. It’s comforting to know my ideas are at least relevant, if not drowning in critical acclaim.
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Illustration by Megan Crist, March 2011.
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Photo by Miha Matei for Refinery29
…And someday I will work in an awesome office where everyone pins awesome images to an actual collective mood board somewhat similar to this…
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Image by the awesome William Powhida.
I’m anxious to see how this turns out. I can’t say I’m crazy about the mockup cover, but the interior layout looks pretty good; I think it goes without saying that there will be many many interesting images and concepts.

This photo comes from the Akris Pre-Fall 2012 advertising campaign shot by photographer Karim Saldi. I know I tend to be very critical of photography (as wells as graphic design), and there are other images in the series that are lovely (see bottom two images), but this one irritates the sanity out of me because of the imperfection of the crop on the top side. I just do not understand how such crucial image details get overlooked by some of the top creative minds. I was always taught to make whatever you do appear intentional. This crop looks so clumsy and it took me maybe 10 seconds to fix:

I see this sort of haphazard almost perfect shot now and again and perhaps I’d seen just one too many this week -it’s Monday night, mind you- and it sent me on a rant. I always want to rally for better imagery in all visual communications -photography, fashion, art, design, etc. The little details make all the difference in balance and perception.
Framing and crop are one of the first things you learn about photography in school and you may think, anyone can frame a photograph. More or less, yes. It is all part of composing the image, but being conscious what you include in the frame requires scrutiny and deliberation, as well as instantly decisive actions. Mostly it comes with experience and love for your work. However, I do believe that the fact of the matter is, digital photography has changed the way that people shoot. In any case, I don’t understand how this kind of crop turns up in professional presentations. It seems careless on account of not only the photographer, but also the photo editor, the creative director, and everyone involved in the production. Disclaimer: This is not to say that every photograph I shoot is perfect nor that I have hard feelings towards Karim Saldi or Akris in particular. I am only expressing a frustration towards what seems to be lack of concern in general for achieving all around optimal visuals based on the execution of fundamentals.

